<u> Arts Quarterly Spring 1986 </u><br> Editor: [[Xena Baxter Wynthorpe]]
*<i>A Selection of Designs for Heraldic Needlework; Heraldic Material taken from the Roll of Arms of the Kingdom of Caid , [[Bruce Draconarius]] and [[Corvus Kyven]]
*<i>Quick and Dirty Cordials., [[Albra Katerine Marie Isabelle Bautiste]]
*<i>Getting Started in Calligraphy, [[Thea Gabrielle Northernridge]]
*<i>The Escoffin or Caul Cap, [[Katherine Brianna Coldrake Kyven]]
*<i>To Take Up the Sword (Poetry), [[Thoron Ravenoak]]
*<i>’Tis Said a Favor is a Boon (Poetry), [[Yaroslav the Persistent]]
*<i>Courtly Done (Poetry), [[Yaroslav the Persistent]]
*<i>Sir Nightingale I’m Sick at Heart (Poetry), [[Dietrich von Vogelsang]]
*<i>Lady Aurelia’s Sonnet (Poetry), [[Roark Wulfkynde the Peacock]]
*<i>Lady of the Deep Eyes Laughing (Poetry), [[Roark Wulfkynde the Peacock]]
*<i>Love of You (Poetry), [[Yaroslav the Persistent]]
*<i>I Picked Some Flowers for You (Poetry), [[Yaroslav the Persistent]]
*<i>Wild Thing (Poetry), [[Yaroslav the Persistent]]
*<i>Black and White (Poetry), [[Alicia Raedwald of Thelwael]]
*<i>Percival (Poetry), [[Alicia Raedwald of Thelwael]]
*<i>The Men of Calontir (Poetry), [[Thoron Ravenoak]]
*<i>Lady Eichling’s Song (Poetry), [[Roark Wulfkynde the Peacock]]
*<i>The Return of the Unicorn (Poetry), [[Roark Wulfkynde the Peacock]]
*<i>The Tall One (Book Review), [[Frances Talbot of Exeter]]
*<i>Acknowledgements and Comments
<gallery perrow=6 heights=150px widths=200px>
Image: Arts Quarterly Spring 1986.jpg|Cover by [[Karolyne Wanderer]]
</gallery>
<u> Arts Quarterly Summer 1986 </u><br> Editor: [[Xena Baxter Wynthorpe]]
*<i>Flags and Banners in the S.C.A., [[Conrad von Regensburg]]
*<i>S.C.A. Discography: English Vocal Music, [[Eden Elisabeth McNab Sommerhawke]]
*<i>Chamois Gloves for M’lady, [[Adrianna Somerset Morgan]]
*<i>A Selection of Designs for Heraldic Needlework; Heraldic Material taken from the Roll of Arms of the Kingdom of Caid , [[Bruce Draconarius]] and [[Corvus Kyven]]
*<i>Ravens and Gulls – Skaldic Verse (Poetry), [[Thoron Ravenoak]]
*<i>There Once was… (Poetry), [[Alicia Raedwald of Thelwael]]
*<i>There stands the plain of ash (Poetry), [[Domhnull Donnachadh o Dun Mor]]
*<i>Maiden, I am Loathe to Leave Thee (Poetry), [[Dietrich von Vogelsang]]
*<i>The Treaty (Poetry), [[Yaroslav the Persistent]]
*<i>Gyldenholt Anniversary (Poetry), [[Lisette de la Sonsierré ]]
*<i> To Guard the Rose (Poetry), [[Thoron Ravenoak]]
*<i>Historica Victoria (Book Review), [[Frances Talbot of Exeter]]
*<i>Acknowledgements and Comments
<gallery perrow=6 heights=150px widths=200px>
Image: Arts Quarterly Summer 1986.jpg|Cover by [[Fraser Sommerhawke]]
</gallery>
<u> Arts Quarterly Fall 1986 </u><br>
Editor:[[Xena Baxter Wynthorpe]]
*<i>Set As Jewels on the Page, [[Eowyn Amberdrake]]
*<i>S.C.A. Discography: Christmas Music, [[Eden Elisabeth McNab Sommerhawke]]
*<i>Elizabethan Corsets, [[Mela de Prion]]
*<i>Needlework Charts based on Caidan Officer’s Badges, [[Xena Baxter Wynthorpe]] and [[Alexandre le Bonhomme]]
*<i>Aubade Ballade (Poetry), [[Thoron Ravenoak]]
*<i>When Caid Goes to War (Poetry), [[Jill Blackhorse]]
*<i>The Maiden and the Dragon (Poetry), [[Kaarna of the Amethyst]]
*<i>The Picture (Poetry), [[Alicia Raedwald of Thelwael]]
*<i>The Voice of the Sword (Poetry), [[Thoron Ravenoak]]
*<i>Dawn Song (Poetry), [[Dietrich von Vogelsang]]
*<i>The Maude Reed Tale (Book Review), [[Frances Talbot of Exeter]]
*<i>Acknowledgements and Comments
<gallery perrow=6 heights=150px widths=200px>
Image: Arts Quarter Fall 1986.jpg|Cover by [[Fraser Sommerhawke]]
</gallery>
<u> Arts Quarterly Spring 1987 </u><br>, Editor: [[Xena Baxter Wynthorpe]]
*<i>On the Art of Armouring: An Introduction, [[Brion Thornbird ap Rhys]]
Caid's original A&S magazines, The Arts Quarterly and The Scientific Caidan and Son of Scientific Caidan were published by the then separate Office of Arts and the Office of Sciences. The Arts Quarterly was created to serve as an arts forum for the Kingdom and featured articles, book reviews and poetry. It was published four times a year in January, April, July and October. The Scientific Caidan was published in the early 1980s. In 1987, and two issues of Son of the Scientific Caidan were published, under the Caidan Office of Sciences under (Rosemary Petsley, Editor).
Ars Caidis was one of Caid's Arts and Sciences journals, originally published as a combined effort of the Caidan Office of Arts and of the Caidan Office of Sciences. The first issue of Ars Caidis was published, under the sponsorship of HRM Adriana as the Kingdom's patroness of Arts and Sciences. The Ars Caidis continued to be published after the Caidan Office of Arts and of the Caidan Office of Sciences were combined into the Caidan Office of Arts and Sciences.
Ars Caidis was honored in A.S. 39 as the SCA's best Special Interest Newsletter.
The Ars Caidis: The Caidan Arts and Sciences Digest (from the Crown Prints, 1990)
The “Arts Quarterly” and the “Scientific Caidan” have combined. Now we are looking for you! We are accepting contributions of art and articles on or inspired by any medieval or renaissance subject, and our re-creation of these times in Caid. We’ll take anything that the Tournaments Illuminated would, and then some, including short fiction in a Medieval style and subject. We’ll accept how-to articles, research, poetry, reviews and al most anything else. We would be especially happy to get material from the Guilds within Caid so we can better appreciate the work you do!
Our format is exactly the same as The Crown Prints</> (we’re using their press). Our deadline will be Caidan Crown Trouneys. Each new issue will be available at Coronations for $ (TBA). Presale copies may be purchased for $ (TBA) including first class mailing. All proceeds after cost will be donated to The Crown Prints collation machine fund.
For submissions or presale information, contact, Lord Eadwynne of Runedun, Editor, Kingdom Minister of Sciences, Caid.
Guidelines
Observation of the cut-off date of 1600 AD for research articles although any culture existing in the world from 1600 A.D. back is acceptable. If you wish to write about the Cavalier period, please contact the prior to submission.
Articles should be written predominantly in English although notes in other languages (with translations) are welcome. Refer to the current edition of the MLA Style Guide or the Chicago Manual of Style for footnotes and bibliography formats.
Articles will be reviewed and editorial comments discussed with authors prior to publication. No changes will be made without the author's approval.
Because Ars Caidis is brought into the homes of our members and may used as a public relations document, please respect the boundaries of good taste.
Zenith and Decline: The Hanseatic League and the Teutonic Order in the Late 14th and Early 15th Centuries, Baroness Fionnabhair Kyriath Inghean Uí Néill
Theme: "Period Supernatural" - In our world of celluloid horror and King novels, it is easy to think of the supernatural as a modern invention. Some things are, such as the vampire that entered its pointy-toothed glory in the 19th century. But our time period sported a rich variety of supernatural tales of the walking dead, dark dwarves, hellish dogs, haunted houses, and ghost-infested barrows. Whether we find them in England's monastic ghost stories or the rip-roaring revenants of dark Iceland. Europe was a hotbed of supernatural scary tales. In this issue we screw up our courage and poke around these dark and cobwebby corners.
Theme: "Performance Arts in Caid" - This issue celebrates Performance Arts in Caid. We will offer encouragement, how-tos, and resources for budding and experienced bards. Share and learn about music, acting, storytelling, composition, and many other aspects of the SCA bard.
Theme: "The Northmen" - This issue will cover the ever-entertaining Vikings as well as Norse beliefs and everyday life. The Northmen hugely impacted Europe from England to Russia, and left their mark in other lands too. Besides, they're just fun.
theme: "The Art of SCA Costuming" - The old adage says "Welcome to Caid, now go get dressed." This issue will explore period costuming shapes, development and techniques in the context of the SCA.