The Bellowing Breeze - Heraldry by Njall

The Bellowing Breeze by Njall Olaf Hagarson

Field Heraldry

From the Crown Prints, August 2000]]

As some of you may know, I have once again taken up heraldic duties of Bellows Pursuivant Herald. I have taken this position within the College of Heralds with two goals foremost in my mind. The first is to train my successor. The second and most important is to do something about the lack of working field heralds in this Kingdom.

At our last Queen's Champion Tournament, we had 16 fields in use. We did not have enough heralds to do the job. At last year's Great Western War, we needed three to four heralds for each set of camp cries. Most shifts we were lucky to have two Heralds. At most baronial and shire anniversaries, we are also short of Heralds. This problem has plagued Caid for the last few years.

In part, the herald shortage is created by a growth in combat arts. At many events, Heralds are needed for Heavy Weapons, Light Weapons and Period Rapier lists. And done right, each additional list field needs two Heralds, so as not to place too great a strain on one voice alone. However, part of the shortage comes from the retirement of many of our most active field Heralds.

In short, we need more Heralds. Besides being part of the pageantry that makes the SCA what it is, Heralds are needed for more practical reasons. Heralds help move the tournament along faster by letting the fighters know where they need to be and when. They also perform the function of a recorder of results for the lists officer. And at times, they are an extra set of eyes for the Marshals. When we are short of Heralds, lists run much longer than they have to. This can be a very important issue, especially at an event like a Fall Queen's Champion, where we have very large Lists and very little daylight to finish it in.

So I ask you to consider giving field heraldry a try. The Heralds Office will be more than happy to provide on the job training. We will also be offering classes in Field Heraldry at upcoming Collegiums. Field Heraldry is fun and a great way to get to know all the people that you see out on the field. I also ask that if you are a field herald that has not been active of late, please come back out and help teach a new batch of Field Heralds.

Projection: Or the Art of Making Yourself Heard

From the Crown Prints, August 2000]]

Last month, I asked, no begged for people to come out and volunteer to be Field Heralds. This month I'll try to help all those new volunteers get out on the field and make themselves heard.

Projection is the term we used for the technique that allows you to be heard wile not straining your voice. If you project properly, your voice will last much longer and you will be more likely to be heard. Many Heralds are already using projection techniques, but still others are not. It would take more than just an article to teach people how to always project properly. So what I intend to offer here is Advice and Tricks to help you and your voice last through a day of Field Heraldry. This is not intended to replace the Field Heraldry class offered at Collegiums. If you get a chance, please take that class, which will not only teach you the heraldic forms used but to project as well.

Drink plenty of fluids. The constant use of your voice will dry the throat out. A dry throat is prone to stress injury (that loss of voice or raspy voice at the end of the day). Drinking plenty of fluids will protect your voice longer. If you don't keep your throat well moistened, then all the projection tricks in the world will not help.

Stand straight and speak over the cards. I have seen any number of Heralds look down at cards held in their hand while speaking. This does two things. First, it closes off the throat and second, it points the sound of your voice straight to the ground. Instead, stand straight and hold the cards out at about shoulder height. Then point your voice over the cards, while just looking down at the cards with your eyes.

Don't yell. When you "yell," you are using your lungs and throat to power your voice. That means your throat is working too haard and will not last the day. When you yell, you also waste a great deal of power in creating "side" frequencies. If you project a pure tone, all your vocal power goes into creating that tone, no is wasted. However, try not to make the announcement in a "sing song" voice either.

And last, but most definitely not least, project with your diaphragm. The muscles of your diaphragm are used to inflate and deflate your lungs. These muscles are the number one secret to projection. These muscles are located below the rib cage. This is something that is best taught in person. If you know any trained singers or actors, they can show you what I mean. Or if you can meet up with me at an event, I'll show you what I'm talking about. Just know where your diaphragm mussels are, and dress so that you don't restrict their use. Next month I'll look at heraldic forms used on the field. Until then, I hope to see many new faces on the field at upcoming events.